Jim Bowie – A Man and a Knife, both most distinguished

Jim Bowie, born in Logan County, Kentucky in 1796, was a sturdy fellow, 6 feet tall and weighing 180 pounds. His reputation as a womanizer was equaled only by his reputation as an inveterate fighter. The story of his heroic death at Fort Alamo on the 6^th of March 1836 alongside Davey Crockett is one of the great stories of bravery in American legend. His courage and skill with a knife made him one of the top experts in such weapons: from there it was but a short step to designing new forms of blades.

In the course of the year 1830 he developed a completely original design, the wooden model of which he gave to James Black, a renowned blade smith of Washington, Arkansas, requesting that the knife be produced within nineteen days. Black scrupulously respected all of the details, but holding his client in high esteem and considering that the proposed design had certain flaws, he made a second version according to his own design. Even forging the blade from a meteorite that he had been saving for such an exceptional occasion. When Jim came to collect his knife he was presented with the two models and asked to choose which one he wanted, for no additional cost. He chose the second one, it was this vey same knife that he was carrying at the Alamo, and which disappeared with him in the ensuing battle.

A “Bowie” is a straight knife, with a particularly long and powerful blade that also has a most characteristic shape, particularly the part where the reverse edge curves up. “Bowie” became synonymous with large blade knives and this genre is particularly sought after in the United States even today, but opinions differ considerably concerning the characteristics of the original model. At the time it was common to carry a large straight knife at one’s belt, and Jim Bowie was certainly no exception, never missing an opportunity to “clash swords”. He is credited with a fair number of fights and even duals, the most famous of which took place on the 19^th of September 1827 at Avoyelles Rapides Parishes, Louisiana. (This is an historical fact).

A number of writings belonging to Jim’s brother Rezin were conserved in a museum. In one of them he mentions that: “The first Bowie knife was made by myself in Avoyelles Parish; it was intended only for hunting and I carried it for several years; the blade was 23 centimeters long a 4 wide, with a single cutting edge and not curved.

Rezin then added several modifications and improvements before getting a number of knives made by a local smith. Apparently it was one of these knives that Jim used for his most famous duel, as well as another on against a certain Sturdivant, who was only wounded and vowed revenge, sending three desperadoes after him some years later who, literally lost their heads to the powerful weapon forged by Black. Rezin also designed another model after an unfortunate encounter with a bull that charged him when he was riding nearby. He drew his knife to defend himself but the shock when he stabbed the bull caused his fingers to slip over the inadequate guard and onto the blade. Following this incident, he decided to lengthen the blade, give it a reverse-edge and a wraparound guard for better protection, just like a sable.

We will probably never truly know what this famous knife, about which so much has been written, really looked like. There are a great many collectors of the genre in the United States. Naturally, each one claims to hold either the most authentic model or at least the one most resembling that of their hero. But there are so many differences in shape, style and size that one can easily get confused.

Perhaps we should just content ourselves to let out imagination run free, as do so many of Uncle Sam’s nephews.

Jay Hendrickson – The Art of Inlaying

When you’re lucky enough to live just down the road from Bill Moran, how can you ignore what this genius bladesmith produces? The friendship that links these two men goes back a long way. It is almost a master / disciple relationship.

Moran reintroduced the art of embellishing a forged knife, taking his inspiration from the work of Black and Scagel. After having played with compositions of different materials, in the purest Scagel style, that is to say by sticking strips of leather between strips of stage antler, for example, or alternating with beautiful fruit-tree wood, Moran reinvented the art of inlaying. It took many years to find an inert wood, one that would not reject the silver thread. He finally found it with curly maple, which had the added advantage of having a very beautiful range of varying tones and patterns. Jay Hendrickson soon realized that he could never rival Moran as far as the forging of knives was concerned, since the results obtained by Moran seemed to be more the fruit of genius rather than technique. However, Hendrickson was totally captivated by the art of decoration, and so that was where he was able to give full rein to his talent.

High quality blades, wonderfully worked handles, scrupulous attention given to the tiniest detail, such is the Hendrickson style. Naturally, the sheaths have not been forgotten; their leather is also decorated with the same motifs as those on the handle; sometimes there is one of those little “extras” so dear to Scagel, a silver arrowhead or star.

Jay was one of the ABS members instrumental in the planning and formulation of the W.F. Moran School of Bladesmithing in Washington, Arkansas and the Blacksmith Museum in Little Rock, Arkansas. He has been teaching the basic bladesmithing course at the school since it’s beginning.

From 1989 through 2001, he taught the basic "Introduction to Bladesmithing" course at the William F. Moran School of Bladesmithing in Washington, Arkansas.  Prior to this, he taught ABS classes at the Rochester Institute of Technology in Rochester, NY, for five years.  Jay, along with other ABS members, was instrumental in the original planning and formulation of the W. F. Moran School and the ABS Bladesmith Museum in Little Rock, Arkansas.

Jay has made knives knives for people in many countries of the world but one of the highlights of his knifemaking career was to forge Kukri Knives for Prince Abdullah Hussein, now King Hussein of Jordan. His knives have been featured on the covers of many knife magazines: Knives Illustrated, La Passion des Couteaux, and Knives 99.

The tradition has thus been carried on, and Hendrickson, this worthy successor to Bill Moran, and head of the Association of American Master Smiths, will also become a legend himself, that’s for sure.

His son Shawn Hendrickson is also collaborating with his father on knife projects.

Sources

100 Legendary Knives by Gerard Pacella in 2000